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Simon
Ortiz: An Introduction
"Earth
Power Coming: Simon Ortiz and the Poetics and Politics
of Telling"
by
Yuxef Abana, Joni Clarke and Susan Stevens
"These few things then, / I am telling you / because
I do want you to know / and in that way / have you come to
know me now."
--Simon Ortiz, "I Tell You Now"
In his visit on February 3, 1992 to the University of Arizona's
Poetics and Politics: A Series of Readings by Native American
Writers, Simon Ortiz repeatedly emphasized the explicit connection
he sees between telling--which is an act he sees being inextricably
bound up in the Earth's inevitable power--and the struggle
being waged by the indigenous peoples of the Americas and
the world to go beyond survival to continuance. In his visit
to Ofelia Zepeda's and Larry Evers' graduate seminar, his
words at the Intertribal Graduate Center, and his
evening reading--as
well as in all his other tellings--Ortiz stands in marked
opposition to the notion that the Earth is an inert, exploitable
commodity. Instead, he sees the Earth as our Mother and literally
alive with power; she might be blasted open and polluted by
humans, but she can never really be desecrated.
This view of the Earth's living and inevitable power literally
emerges from Ortiz's relationship to the people by whom he
was raised and the land where he was born. It is a land which
has sustained his people even as it has been colonized by
both the United States government and several large corporations
who commodify the people as labor and use them to extract
the large deposits of uranium and other natural resources
found in the Four Corners area. The Acoma people, Ortiz told
us, were among the first to realize the improved prosperity
afforded those willing to work deep in the dusty mineshafts;
they have also experienced the devastating effects of breathing
radioactive particles and drinking contaminated water. The
Acome hanoe are a people, Ortiz emphasized repeatedly,
whose creation myth tells them that their ancestors migrated
up through underground world(s) to emerge from the sipa-po
or sacred place from which all life emerges. Therefore,
there is a profound irony, Ortiz points out, in sinking mine
shafts deep into the sacred earth to extract the very substances
that could destroy all life.
Ortiz's tellings, speeches, essays, interviews, poems and
prose, then, set the power of ancient Acoma stories, which
literally emerged with the people from the Earth, and present-day
stories, as Silko might say, "in motion" to fight against
nuclear colonization of the Four Corners area and all other
forms of colonization as well. And through these "Earth powered"
stories, Ortiz strongly affirms, Native Americans will inevitably
regain the right to exercise the responsibility towards the
land given to them by their ancestors. For by listening to
the stones moving beneath the earth's surface and the voices
of the dead which cry out from the ground, Ortiz tells us
in a poem which he discussed at length during his visit, "That's
the Place the Indians are Talking About," we can hear the
"moving power of the voice / the moving power of the earth
/ the moving power of the People" (Fight Back 35
).
Here, Ortiz makes very clear the connection between language/storytelling
and a proper relationship with the earth in the ongoing struggle
against colonialism and imperialism. Indeed, he told us, it
is only when we are in a relationship that is responsible
and proper, loving and compassionate, that we will "hear"
what the earth has to tell us about survival and--going beyond
survival--about continuance. By listening to what Ortiz, following
D'Arcy McNickle, has termed "Earth power coming," we will
be able to hear. And "Hearing, / that's the way you listen"
(Fight Back 35). Through listening and hearing, "pretty
soon it will come. / It will come / the moving power of the
voice" (Fight Back 35). In other words, by listening
to the stories from the Earth and her people, we come to voice
and are able to tell our own stories of both oppression and
destruction and hope and struggle. In this way, we
not only survive, but we bring about change in the systems
which oppress us; in short, like the Indians who, according
to Ortiz, have not disappeared but are surviving and continuing
everywhere in the United States, we prevail.
In visits such as the one he made to our class, Ortiz is participating
in a relationship with the land and the people which he sees
as responsible and proper. Quick to point out that he is not
a spokesperson for all Indian people, he does acknowledge
his responsibility to tell the stories of his own Acoma people
and to work actively for causes that concern all Native American
people. Western cultures, he told Laura Coltelli in an interview,
"have claimed for themselves lands that are the responsibility
of indigenous peoples; . . . Western cultures have attempted
to break that responsibility . . . . [This] process of colonization,
that is, usurping the indigenous power of the people, taking
their land and resources and language and heritage away--that
has to be struggled against . . . . You have to fight it,
to keep what you have, what you are, because they are trying
to steal your soul, your spirit, as well as your land, your
children and so forth" (111). In his tellings or stories,
then, Ortiz tries to articulate the struggle against these
destructive forces of colonization. After his classroom visit,
at the Intertribal Graduate Center, Ortiz forthrightly expressed
his concerns about the ways in which he and others can participate
in and articulate the struggle. He has at different times,
he told those gathered at an informal brown-bag lunch, worked
to make Indian studies a viable program on its own instead
of a footnote to the American studies department, and he has
championed Indian curricula at the University of New Mexico.
He is also concerned, especially, about the nature of control
over Indian programs. In addition, he sees language as a main
source for redefining the Indian self and for asserting an
Indian point of view. He also believes that there is a great
need for Indian unity in the struggle against colonialism
and imperialism. When asked about the seeming hopelessness
of a struggle against those monolithic powers which oppress
so many in the United States, Ortiz was very eloquent in his
insistence that the hope is in the struggle itself, for in
the experience of the struggle, we discover among ourselves
some sense of a common denominator which can bring people
with disparate beliefs and backgrounds together on some sort
of political and spiritual ground. "We survive and go on,"
he insisted, "by the constructions made by our hope."
When questioned about his ideas about using language as a
source for asserting the Indian point of view and about the
possibility of English as a "Native American language," Ortiz
acknowledged that to some extent, English is indeed an instrument
of colonization and conquest. "Yet it is possible," he noted,
"to claim the language as your own, on your terms, so
that it's no longer similar to what it was before. When we
claim it, we claim a responsibility for using it in terms
that are ours. We can 'indigenize' language, I believe. When
words are spoken in a cultural context." Ortiz added that
words can, for example, be "Acomized." The main point here,
Ortiz wanted us to know, is that we need to be in the process
of what he calls, the "decolonization of the mind." Yes, English
can be colonizing, but we can also use it in ways that decolonize.
Several times during the day, Ortiz spoke of his involvement
in writing a screenplay which comments on Columbus from a
Native American point of view. He sees his involvement in
the project as an important gesture for him and a particularly
appropriate opportunity to express the Native American perspective.
In his artistic and political involvement with this project,
Ortiz, who consistently asserts his Indian identity, demonstrates
the synthesis of the artist and the social activist. Indeed,
he takes the stance that politics and poetics cannot be separated.
In a relationship that is proper and responsible he tells
us something of himself, something about the Earth. Having
heard his tellings, the responsibility is then passed on to
us.
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