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French and Francophone Film Festival
October 18– November 15, 2007

This year marks the Tournées Film Festival's second visit to the University of Arizona. A program of the French American Cultural Exchange, the festival is designed to help bring contemporary French cinema to American colleges and universities.

Professor LeHir helped bring the Tournées festival to the University of Arizona, and organized this year's features.

Each screening is to be followed by a discussion led by a faculty member.

The Tournées Festival is made possible with the support of:
The French Ministry of Foreign Affairs, Centre National de la Cinématographie, The Florence Gould Foundation, The Grand Marnier Foundation, Highbrow Entertainment, agnès b, Fonds Culturel franco-américain.

Sponsors at the University of Arizona:
Alliance Française of Tucson, Association of Graduate Students in French, Center for Judaic Studies, Center for Middle Eastern Studies, College of Humanities, Office of International Affairs.


LE GRAND VOYAGE, October 18, 2007

A few weeks before his high school final exam, Réda, a young man who lives in the south of France, is chosen to drive his aging father to Mecca for the traditional pilgrimage. From the start, the journey promises to be difficult, as Réda and his father have nothing in common. They are separated by culture, language and religion. Réda is a modern young man who does not speak Arabic and cares little about his father’s deep sense of religion.


LES AMITIES MALEFIQUES, October 25, 2007

Eloi, a reserved but passionate literature student and son of a well-known writer, befriends André, a brilliant and charismatic student willing to stand up for true literature and criticizing vehemently his peers for their desire to write and published. Mesmerized by André’s impressive intelligence, Eloi and his friends, Alexandre and Edouard, let André become their mentor.


LE PLAFOND DE VERRE, November 1, 2007

“The Glass Ceiling” is an American sociological expression referring to the invisible, impalpable barrier that prevents women from reaching the same level as men in their careers. Using this metaphor, Yamina Benguigui examines the integration of immigrants in the workplace. For her, the comparison between immigrants and women is relevant because they face the same challenges: the issue is not necessarily about finding work, but about being hired for positions of responsibility that correspond to their educational backgrounds.


DARATT, November 8, 2007

When the long and devastating civil war in Chad ends, survivors are hoping that justice will be served against those who were involved in the genocide. The Truth and Reconciliation Commission, however, chooses not to condemn them. Young Atim, whose father was murdered before his birth during the conflict, is given a gun by his blind grandfather and ordered to avenge his family. Determined to take revenge, Atim looks for Nassara, his father’s torturer.


LA PETITE JERUSALEM, November 15, 2007

La Petite Jerusalem is the nickname of Sarcelles, a low-income housing neighborhood near Paris. Among the high number of Jewish immigrants who live there, a Tunisian family of eight shares a cramped apartment: Laura (a French-born, 18-year-old student), her sister Mathilde, their mother, Mathilde’s husband Ariel, and the couple’s four children. Independent and strong-willed, Laura refuses Ariel’s orthodoxy and her mother’s superstition. Instead, she throws herself into the study of Kant which leads her to take evening walks. On one such walk, she meets an Algerian-Muslim immigrant named Djamel.